Joy Division

Holding Down The Fort(ress Festival) by Prewitt Scott-Jackson

Fortress Festival-goers on The Modern lawn  - Photo Credit: Prewitt Scott-Jackson

Fortress Festival-goers on The Modern lawn  - Photo Credit: Prewitt Scott-Jackson

The inaugural Fortress Festival has come to an end but on Saturday afternoon our "battle" had only just begun.

Here's a look back at FWN's Fortress Festival experience. 

Day 1

The Nissan kicked over (barely) and as I left the house my 4yr old fixed his death stare on me until I turned the corner.

He had good reason to be pissed.

I had been out of town for work the week prior and now that I had returned home here I was the next day leaving again, this time for a weekend stay-cation in the Fort Worth Cultural District.  

I picked up my colleague Daniel Daniel and we made our way towards the unknown (which is exactly what an inaugural music festival is btw.. the unknown). 

First stop? The Modern, to claim our media wristbands. We had arrived rather early and at the time, zero was the amount of minutes that line gave (did I do that right?? idk, just read it back again, still confused af).

However ... by 4pm ... that changed ...

Wristband pick up at The Modern - Photo Credit: Prewitt Scott-Jackson

Wristband pick up at The Modern - Photo Credit: Prewitt Scott-Jackson

Despite the line, the few festival-goers I spoke with said it moved quickly. Additionally, wristbands had been made available for pickup since April 25th. 

So far, so good. 

From there we went to park and found a Farrington Field lot to be ideal. $10 to park and worth every penny. I've parked much much further away at other festivals for much much more money.  

Back at The Modern, Daniel Daniel and I took in the museum as we waited for the doors to open (free admission for festival attendees). DD got locked in on this super rad Katherine Bernhardt painting.   

Daniel Daniel at The Modern - Photo Credit: Prewitt Scott-Jackson

Daniel Daniel at The Modern - Photo Credit: Prewitt Scott-Jackson

The festival opened with Sam Lao on The Modern floating stage. Despite just opening the doors, a decent crowd filled the lawn, head bobbing to Lao's beats. 

Sam Lao on The Modern floating stage - Photo Credit: Prewitt Scott-Jackson

Sam Lao on The Modern floating stage - Photo Credit: Prewitt Scott-Jackson

From there we thought we'd give "the walk" a try. "The walk" being the walk between The Modern stage and the Will Rogers stage. 

At first it took a bit of doing to navigate the walk. The fine folks at Fortress Festival provided maps and on-site signage but many of us on that first walk between stages had a hard time determining the critical path.  

After completing it once however, everyone we had spoken with seemed to have it dialed in.

And look, it wasn't all that far either. I heard some complaints, but in my view you're either grasping for something to complain about or you simply haven't attended that many music festivals.

Like, have y'all ever attended a fest at Zilker in ATX? Or any of the major fests in California? That's a lot of walking. 

Plus, I mean, you kind of cruised along this scenic path that weaved behind the Kimbell Art Museum.

I know they had plans to make the stages closer together, but I still considered this a win, especially for a first time fest. 

The path between the two stages - Photo Credit: Prewitt Scott-Jackson

The path between the two stages - Photo Credit: Prewitt Scott-Jackson

See! We caught Lao AND still made it in time for Blue, The Misfit.

Throughout the weekend it worked out this way for other instances of artist overlap between the two stages. We did not see every band at Fortress Festival but we could have made it happen if we were so inclined.   

Blue, The Misfit. doin' Blue, The Misfit. things on the Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

Blue, The Misfit. doin' Blue, The Misfit. things on the Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

Next up we decided to stroll down vendor lane and scope the festival's wares. 

Pan Ector Industries carried a couple different limited Fortress Festival t-shirt designs. Choose the design, the t-shirt style and your favorite color, and voila!  

Pan Ector Industries printin' it up - Photo Credit: Prewitt Scott-Jackson

Pan Ector Industries printin' it up - Photo Credit: Prewitt Scott-Jackson

Next up was Mama P's Wholesome Grinding Co. There we met "Papa Grind" Marc Wein and crew.

Marc knew more about pipes than Mario Bros. ya dig? Seriously, this guy was a savant.

If you are ever in the market, be sure to check them out on location at their Spicewood Smoke Shoppe or peruse their vast online store

"Papa Grind" Marc Wein droppin' knowledge bombs - Photo Credit: Prewitt Scott-Jackson 

"Papa Grind" Marc Wein droppin' knowledge bombs - Photo Credit: Prewitt Scott-Jackson 

The guys from Windfall Clothing had a tv with Super Smash Bros. cued up (needless to say the Smash Bros. piqued our interest). Their designs were better than the Smash Bros., and coming from me, that says A LOT about their craftsmenship.

Windfall reeled us in with Super Smash Bros. - Photo Credit: Prewitt Scott-Jackson

Windfall reeled us in with Super Smash Bros. - Photo Credit: Prewitt Scott-Jackson

Last but not least on vendor row we just HAD to take a FWN family portrait on-board the Folsom Photo Bus.

The guys that operated the photo bus set it up proper and left us with perhaps our favorite memento from this past weekend's festivities.

Highly recommend checking Folsom out on Facebook or IG

After all that walking and talking we decided we better cool down with a Juiceland treat. 

I like juice and smoothies as much as the next guy but it's not something I'm passionate about or anything.

But if you don't mind, allow me a moment to clearly express my feelings regarding these tasty juice-a-licious concoctions: 

YUMMMYYY! YUMMMYYY! YUMMMYYY! 

[one more time for posterity]

YUMMMYYY!

These tasted so good I asked a friend of ours to give them the pro treatment!

Look, I'm somewhat decent with a camera, but these juicy delights deserved better than "somewhat decent." They deserved a professional.

Feast your eyes Fort Worthians!

Juiceland yum-yums - Photo Credit: Annie Nelson 

Juiceland yum-yums - Photo Credit: Annie Nelson 

The rest of the day we stuck to the Will Rogers stage where we took in Houndmouth, Flying Lotus and Run The Jewels back-to-back-to-back. 

Houndmouth under the neon on Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

Houndmouth under the neon on Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

Flying Lotus followed by Run The Jewels made for what in my estimation was the best three consecutive hours of the weekend.

Flylo's beats and synced up visual showcase hypnotized everyone around me in the swelling main stage crowd. 

RTJ dominated the Will Rogers crowd right after, performing all their hits with an infectious stage presence that's helped made them so popular. 

Here's a peek but be sure to peep our full RTJ photo gallery here

RTJ slayin' the Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

RTJ slayin' the Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

Did some work on the desktop when I arrived home then finally dozed off around 2AM when I came to this realization: "Holy cows and calves, there's a Day 2!!"

Day 2

Day 2 carried with it a different objective entirely for me. The sun was out and my camera was out; today's focus was on the bands and taking photos of their performances. 

We parked in the same lot, paid the same $10 and didn't look back.

Between the two of us we've seen Topic like a hundred times so given the imbalance of our time split between the two stages on Day 1 we decided to camp out at The Modern stage for Sudie, followed by Golden Dawn Arkestra.

Sudie doin' work - Photo Credit: Prewitt Scott-Jackson

Sudie doin' work - Photo Credit: Prewitt Scott-Jackson

Golden Dawn Arkestra danced under the sun at The Modern - Photo Credit: Prewitt Scott-Jackson

Golden Dawn Arkestra danced under the sun at The Modern - Photo Credit: Prewitt Scott-Jackson

After soaking up some rays, we made our way back to Will Rogers in time to catch local good ol' boys Quaker City Night Hawks.

The guys looked good on the big stage; of course it's nothing new for them but after only catching them live at a local venues, this made for my first time seeing them at a major festival on a stage this big.

They crushed it.   

QCNH shook the Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

QCNH shook the Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

Nathaniel Rateliff & The Night Sweats followed up Quaker City Night Hawks on the Will Rogers stage and lemme tell ya, the ironic juxtaposition of these two bands on the schedule was not lost on me...

Night Hawks or Night Sweats?? Why not both?! A night hawk with night sweats if you will. Sold!   

Dad jokes aside, NRATNS grooved up that stage like somebody's business!

For more NRATNS photos, check the link I mentioned earlier.

We acquired more tasty treats from Juiceland then quickly cut back to The Modern to snap a few pics of Alvvays before hustling back to the ol' Willy Rogers stage as to ensure our attendance for Slowdive. 

Alvvays treading water on the Modern stage - Photo Credit: Prewitt Scott-Jackson

Alvvays treading water on the Modern stage - Photo Credit: Prewitt Scott-Jackson

En route to Will Rogers we bumped into Robby and Jen Rux from Dreamy Life; they had come to catch Slowdive's set. We decided to join forces and together we took in one of the best performances of the weekend.

What was it like you ask? I can't describe it.

Okay, okay. I'll try (kind of)...

Slowdive played Slowdive songs, and the band Slowdive writes really really good songs. The insane stage visuals enhanced what was already destined to be an awesome performance.

Complete Slowdive photo gallery over at the before-mentioned and ever-lingering photo jump.

Slowdive nearly shoe-gazed us to death from the Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

Slowdive nearly shoe-gazed us to death from the Will Rogers stage - Photo Credit: Prewitt Scott-Jackson

In making my way back in time for Peter Hook & The Light at The Modern, I once again demonstrated that talk of "the walk" had been overblown. 

ICYMI: FWN'er, Flashbulb'er and all-around badass good dude Lyle Brooks interviewed Peter Hook for Fort Worth Noise back in early April. At one point in the interview Hook relayed to Brooks that they'd be playing Joy Division and New Order songs as part of their Fortress Festival performance.  

I was thinking back to the interview when on cue Hook announced their next song as "Ceremony," a Joy Division fave. The audience let out a collective audible sigh of "HOLY SHIT! DID HE JUST SAY 'CEREMONY??'"

I think this was my favorite moment of Hook's set, that moment the fans realized they'd be getting some Joy Division and New Order action tonight.

Full Peter Hook gallery over at this relentless stalker-esque link!

Purity Ring is amazing and all but tbh I enjoyed the entirety of Peter Hook's set then parked myself in The Modern lobby until Daniel Daniel met up with me again.

I was weeding out photos from my digi camera viewer when I looked up to see DD with a Fortress Festival-sized smile on his face. It was time to call it a weekend.

Looking Ahead

Fortress Festival ruled y'all, it's that simple.

And while I may have added the qualifier earlier that this indeed was the inaugural year of the fest, it didn't feel that way at all.

From the magnitude of the acts booked to the fun and friendly vendors, to the visual aesthetics and overall aptitude of the festival's organizers, Fortress Festival felt like a surly veteran of the festival game.  

Certainly lessons can always be learned and any good fest organizer must always be looking for ways to improve year-over-year; that said, Fortress Festival proved to be a fort worth fighting for.

Until next year Fort Worthians, 

Xoxo,

FWN

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

Fortress Festival Interview - Peter Hook by Lyle Brooks

Today we are extremely honored to have Peter Hook (Joy Division, New Order, Peter Hook & The Light) talk to us about his experience playing synths, his favorite places to visit on tour, and BONUS ALERT: we got the scoop on what to expect from his upcoming Fortress Festival performance!

We'd also like to welcome Lyle Brooks, who sometimes exists as The Flashbulb (IG:@flashbulbtx) to the FWN family. Tho his vision comes and goes, we are pleased to report his ears are in working order

For tix and more info on Fortress Festival, click here.

UPDATE (05/01/2017): FWN captured live performance photos of Peter Hook & The Light's mystifying Fortress Festival performance! Scroll to the end of the interview to view the gallery. Enjoy! 

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Image via Peter Hook & The Light Facebook Page - Courtesy James Masters

Image via Peter Hook & The Light Facebook Page - Courtesy James Masters

1. Speaking from personal experience, your bass work was a major influence on many adolescents who obtained bass guitars. Repeating tracks, I'd hope to glean an invisible force beneath the bass lines. What were the sounds you sought when you set out playing? 

Well at first I didn't really have a plan & did not really set out to do anything - I didn't even know what a bass guitar was! But we worked very hard to master our instruments and I eventually began to develop a way of playing that I felt was a bit more interesting than what I'd heard from other bass players. I really liked to play high up the neck which was quite novel & Ian Curtis in particular encouraged me to keep doing that. It became my calling card so to speak - I found certain guitars and certain pedals that allowed me to further develop that sound and I have stuck with them ever since.

2. What were your first experiences with synths? How would you say the instrument most impacted music making for you? 

It took a while to get to grips with them to be honest - especially when compared to Bernard and Steve who were a lot more technologically minded than I was - I was the guy who just wanted to rock out on the guitars all the time! But eventually I got my head around it all and was able to contribute plenty of ideas on synths and sequencers as well as on the bass. It all had a big impact on our music as you can tell when you listen to early New Order tracks when compared to tracks from 10 or 15 years later.

3. So great to hear these songs again with fresh life behind them, was there much fuss from the die-hard loyalists about The Light's versions?

It was weird because a lot of the criticism which we received was before we even started playing - people were saying that I shouldn't be doing it & that it wasn't right without the others. But then when we started playing and people could see that we did a good job and showed the songs the care and respect that they deserved, it all got a lot easier. And now after 7 years of touring with The Light I would like to think that everyone knows how good a job we do and we have been very successful all around the world.

4. How has the experience been like working with the Classical Hacienda project? 

It's been a very difficult thing to put together just because it's very hard to achieve that perfect marriage between dance music and classical music. It's also very hard from an organisational standpoint simply because there are so many people involved - 70 in the orchestra and what feels like 70 more on the crew. But it has been a great experience to see how all those people work, the musicians are amazing, and it's been a very rewarding one because all of the shows so far have been great.

5. Any new cities you've discovered on this tour? Favorite spots to return? 

I'm always excited to still be visiting new places - it's amazing to go somewhere new after 40 years of touring as a musician. A couple of years ago we made it to Mongolia to play at a festival which was amazing, a great experience. And it was with the Light that I also made it to other places for the first time too - Israel, Russia, Chile, China... It has been great to take the music all around the world again. I am always keen to return everywhere!

6. Can fans expect performances from any particular records or will you survey both New Order and Joy Division? Does a version of "Tokyo Joe" ever make its way into a set list? 

Well at the moment at headline shows on this tour we are playing both Substance albums by Joy Division & New Order in full, it's almost a 3 hour show! But at the festival in Fort Worth we have just been asked to play a bit of everything, from both bands, which to be honest is probably better to do at a festival. We'll be playing all the hits! As for Tokyo Joe no we have never played that one but who knows! It's a killer bassline...

7. Five years on, how has the Music Industry Management & Promotion Programme at Central Lancashire fared? Brilliant Idea, I'm curious if other you've seen other institutions developing similar concentrations? 

I'm very proud of the programme and was delighted to be asked to become involved. The staff at the University and Tony Rigg in particular have done a fantastic job. The students enjoy the course and it gives them hands on experience in the music industry which is great. The numbers of people enrolling in the course keeps increasing every year which is a great credit.

Fortress Festival is right around the corner!!

Fortress Festival is right around the corner!!

UPDATE (5/1/2017): Fort Worth Noise's Prewitt Scott-Jackson snapped some photos of Peter Hook & The Light's Fortress Festival performance! (click thumbnail to enlarge)

Peter Hook & The Light perform at Fortress Festival - Photo Credit: Prewitt Scott-Jackson

Peter Hook & The Light perform at Fortress Festival - Photo Credit: Prewitt Scott-Jackson

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about the word writer person:

Lyle Brooks sometimes exists as The Flashbulb (IG:@flashbulbtx). Among a plethora of other cool things & happenings, Lyle has fetched water for John Cale, made copies for Morton Subotnick and once lit Jim Jarmusch's cigarette out in front of a Merzbow show. He has eaten Mexican food with Fungi Girls and Italian food with Yells at Eels and documented them both. Tho his vision comes and goes, we are pleased to report his ears are in working order