Show Poster

Show Poster of the Week - Fuzzed Out! Fest at Lola's by Prewitt Scott-Jackson

Once a week FWN features a show poster from the Fort.

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This week's featured show poster promotes Up to 11 Entertainment's annual Fuzzed Out! Fest going down this Saturday at Lola's.

Fuzzed Out's fuzztastic lineup includes a grip of national acts coming off SXSW shows and is headlined by D/FW's adopted sons Turbid North (for your visual + aural reference, see below music vid).

Rolling into town fresh off three SXSW gigs, Stickman RecordsKing Buffalo (NY) co-headlines.

Plastic Daggers (CO), Great Electric Quest (CA) and Mountain Tamer (CA) round out the national acts with Wo Fat, The Me-Thinks and Royal Sons providing local support.    

Doors open at 6pm, music starts at 6:30pm. Full event details posted here, tix can be purchased here.

From the new album "Eyes Alive" out 11/20/15. Directed and Edited by Nick Forkel - Additional Camera work by Brian Bridger - Pre-Order at http://www.indiemerch.com/turbidnorth

Didn't have to look too far to discover that Up to 11's Duane Smith (former bassist for Southern Train Gypsy) designed this mountainous wonderland of a poster.

Fuzzed Out! Fest is Smith's brainchild, and bonus: he performs all the booking and promotion duties as well. I also recently caught him slaying the bass at The Grotto for STG's farewell show ... seriously, I'm tellin' y'all this dude is a veritable one-man force! 

Moving onto the poster design you may recognize a familiar friend, one Mr. Seafoam Green. For more of our thoughts on him check out last week's show poster which also featured our favorite shade of green. 

The image itself is what really got our wheels turnin'.

Given the name of the event one can't help but draw out the parallel between it and the depiction of a desolate mountainous desert region begging for an oasis to appear. I mean nothing's fuzzier than the visions of a water-deprived wanderer walking the desert, right??      

The horizontal beige and white lines in the sky lead one to think there's no end in sight with nothing but blurred out horizons ahead. Makes me wanna ditch everything and commence a vision quest right now!

One of the themes we discuss here almost every week when evaluating these show posters is how well the poster's aesthetic matches up with the event's overall aesthetic? Well, here we are again and yet another designer has captured this aspect perfectly, marrying the two together in harmonious synchronicity. 

I also mucho dig on the font choice, especially the alternating black and gray colors. Smith did a nice job working in the Up to 11 logo as well; did you notice it at first? Or even at all?

Lookie here, if I weren't Spring-breaking with my little monsters all week I'd be tearing up the mosh pit at Lola's this Saturday. Nonetheless, since I can't be your personal vision quest guide, here's a map so you won't get lost in the mountains on your way to the show.  

Major s/o to Smith for designing this poster and in general, for being a badass jack-of-all-trades. 

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

 

Show Poster of the Week - Arenda Light, Taylor Craig Mills, Ryan Wilcox at The Grotto by Prewitt Scott-Jackson

Image via Arenda Light's Facebook Page

Image via Arenda Light's Facebook Page

Once a week FWN features a show poster from the Fort.

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This week's featured show poster harks back to the '50s and '60s tin toy robot craze.

These little doods became super popular as the Space Race ramped up between the USSR and the U.S. in the mid-1950s. I find this parallel compelling given the White House's current status as "Kremlin West."  

Anywho, the poster promotes a lip-smacking lineup at The Grotto this Friday, Feb. 24th feat. Arenda Light, Taylor Craig Mills, and Ryan Wilcox.

Doors open at 9PM, full event details here.

Aaron Wright put this show poster together by repurposing a fictional toy company ad, transforming it into something that heightened our interest in Friday night's event.

Original Toy Poster by John Golden

Original Toy Poster by John Golden

Wright certainly got the font right, syncing it up nicely with the original image's look. When repurposing an image I always find the toughest part to be recreating or placing the original font. 

Kudos to Wright for slaying that aspect.

Additionally, I like that Wright went with red over yellow.

Red is for passion. Red is for blood. Red's energy, simply stated, has a way of drawing people in.

The tin toy robot iconography always appeals to me. I mean, without question, we are certified Sci-fi geeks here at FWN. Could that have something to do with our decision to bestow this unrivaled weekly award to Wright?

Maybe, but fuck it. Conflict of interests be damned! 

We verily enjoyed the job Wright did with this one and we hope it encourages you to kick back a few at The Grotto this Friday.

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

Show Poster of the Week - Animal Spirit's CD Release Show at Lola's by Prewitt Scott-Jackson

Once a week FWN features a show poster from the Fort.

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This week's featured show poster has me seeing stars! And for the record, let it be known that astral-themed show posters always have a home here at Fort Worth Noise.

The poster promotes Animal Spirit's CD Release Show, a celebration of their new album This Is Relevant.

The shindig starts at 9pm and it's all goin' down at Lola’s this Saturday, Feb. 18th. Trái Bơ and Dome Dwellers kick off the night. Full event details here.

So who designed this beauty? To find the droid we're looking for we need not look further than Saturday night's bill, as Dome Dweller's Michael J. Slack stands the guilty party. Btw, the constellation/DNA imagery doubles as the album artwork for This Is Relevant.

Besides the fetching conglomeration of somber blue hues, the concept behind the design warrants focused attention.

It's widely known and romanticized that humans are made from stars but how much so is less well-known. No worries, we got you: Capt. Google says stardust comprises 93% of human body mass.

NINETY-THREE PERCENT!!!

If anything, the romantic-types aren't romanticizing this fact enough. We are walking, talking stars ... every one of us.

Given this context, the brilliance in Slack's design becomes more discernible. In amalgamating stars with a DNA double helix, Slack expertly captures a visual representation of humanity's sidereal evolutionary process.

I'm probably reaching here, but stay with me -- what if this exploration we've conducted today answers the question all of us are asking ourselves?

You know the question. What exactly does the "This" in This Is Relevant refer to? Like, what is "This"? What is relevant? The album? The band?

I think it's more than that. I think this fact is relevant, this fact that we humans are made from stars.

Through this choice of artwork, Animal Spirit and Slack are implicitly sending a message of hope: that we are all relevant. That human life is relevant and by right, the music and art we create is relevant. It's a beautiful message, one that's been well-received by this lowly writer.

Congrats to Animal Spirit on the new album and to Slack for a design that inspires. FWN will be all up in Lola's Saturday, so hope to see you there!

BONUS CONTENT: To get ya hype for Saturday, here's music videos for two songs off This Is Relevant

"Revenge" the first single from the new album This Is Relevant by the band Animal Spirit - Directed by Rue Dwyer - Produced by Rue Dwyer & Animal Spirit

"Doom Surf" the Second single from the new album This Is Relevant by the band Animal Spirit - Directed by Brian Bailey - Produced by Brian Bailey

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

Show Poster of the Week - Kevin Aldridge, War Party, Joe Savage at The Chat Room Pub by Prewitt Scott-Jackson

Once a week FWN features a show poster from the Fort.

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This week's featured show poster has that Paul Klee color palette that makes me think of all the sweet ass sherbet flavors this planet has to offer. That's another way to say, "I like this show poster so much I want to lick it to death!"

The poster promotes an exceptional lineup of Fort Worthians in the form of Kevin Aldridge, War Party, and Joe Savage, all set to perform tomorrow night, Saturday, Jan. 28th at The Chat Room Pub

Doors are always open but the music starts at 9:30pm w/ Mr. Savage. As the poster indicates, this show is FREE!!!

Mind-blowing local Ft. Worth artist Devin Selby drew this dream-like image which was co-opted and converted to a show poster for tomorrow night.  

I see a man donning a powdered wig, or what could possibly be his own long white hair. And he's in a bad way, like, straight chaos surrounds him while he chiefs on some super-kill East Asian opium.

Am I wrong? Probably, but that's what makes art, well... art. The patron sees what they see and there's no right or wrong.

Like in a dream, there's no right or wrong. There's no clear path. This guy, if anything, looks to be conflicted.

Or maybe not...

Maybe he's a nihilist and all that chaos buzzing around his head means absolutely nothing to him. He's perhaps comfortable knowing that life is but war and savagery and this portrait, this imagery, it's nothing but a moment of cathartic contemplation on the vastness of nothingness.

Whoa, hold on a sec, "war and savagery" = War Party + Joe Savage. Now where exactly Kevin fits into all this, I'm not sure. Perhaps the dream part; he's pretty dreamy, that Kevin.

Anyhow, the pen work and color work are about as excellent as one could hope for. Big cheers to Devin for creating this visually ruminative piece.

See ye tomorrow at TCRP! 

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

Show Poster of the Week - Quesadilla White Sox at Lola's by Prewitt Scott-Jackson

Once a week FWN features a show poster from the Fort.

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Goes without saying that this week's featured show poster adds some sizzle to our Show Poster of the Week series ... *ba-dum tshh*  

This savory show poster promotes a hefty portion of rockin' tonight at Lola's Saloon (warning: these puns will never stop folks). Music provided by Quesadilla White Sox; not sure why, but that band name sounds familiar ... ???

Feasting begins at 10pm, there's no cover charge.

Sam Anderson (Quaker City Night Hawks) is the chef responsible for cooking up this appetizing photo and poster design. Anderson's image brings new meaning to one of the most confounding existential questions of our time: Is a hot dog a sandwich?

Image via The Atlantic "It's Not a Sandwich" 11/5/15

Image via The Atlantic "It's Not a Sandwich" 11/5/15

Megan Garber over at The Atlantic concluded definitively that hot dogs are NOT sandwiches. Hot dog failed Megan's four-point test by not meating the 'horizontal orientation' criteria she set forth (meating instead of meeting, get it?). 

But idk, like everything else in life, things aren't always so cut and dry. Let's explore this a bit more shall we?

Is Anderson's image a hot dog? A sandwich? Or maybe a quesadilla is more apropos?

I believe the answer is D: All of the Above

Everything is connected y'all, one love and all that mustard. To paraphrase Bernard Jaffe, "I cannot tell where I begin and you end;" why should this be any different? 

With that said, it's a Hotdogwichadilla© [copyright pending]

I love how the font color scheme parallels the tortilla/mustard/hot dog combo. Anderson nailed that mustard yellow font, it's tastefully done (last pun, I promise).

Let's taco 'bout* that photo filter: once again, I don't think Anderson coulda captured the moment any better. It gives the image that '70s high school cafeteria vibe, and lemme tell ya, I heart emoji that '70s high school cafeteria vibe. The choice of paper plate fits the theme perfectly and the carefully squirted out mustard could make a Jackson Pollock blush.

When you put it all together - from the preparation of the food itself, to the photograph, to the font palette and layout - Anderson hit this design out of the Ball Park®**.

Right about now you're probably wondering how someone could possibly write 400 words on Hotdogwichadillas©. I'll take that as my cue to slowly step away from the keyboard and encourage you to dine*** at Lola's tonight.

*I lied, **I lied twice, ***OK, so I lie a lot

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

Show Poster of the Week - Terminus (AR), Summit, Smokey Mirror, The Good Kind Of Mushroom, Acid Carousel at Lola's by Prewitt Scott-Jackson

Once a week FWN features a show poster from the Fort.

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This week's featured show poster summons the visage of Edward the Confessor to promote a delectable serving of stoner party-psych doom in the form of Terminus (AR), The Good Kind of Mushroom, Acid Carousel, Summit, & Smokey Mirror tomorrow night, Tuesday, Jan. 10th at Lola's Saloon. The show starts at 8:30pm, event details posted here.

Julian Cedillo, guitarist for The Good Kind of Mushroom, assembled this sublime scene of antiquity vs. modernity (looking back in our 'Show Poster' series, this is now a third time we have chosen a poster that plays in this space).

In Cedillo's image, this unceasing conflict jumps out at you: a portrayal of 11th century King of England Edward the Confessor waving his hand - as if to offer up the night's list of performances - amidst a backdrop of '70s paisley wallpaper and psychedelic hourglass sand stamped with vinyl record typeface instructing its patrons to "Bring Your Homies!"

Throw in the buccaneering 18th century vintage skull & crossbones and you have iconography from four different eras concurrently on display. Speaking of, every time I look upon it, my eyes sink like pirate ships in some Caribbean bay, struggling to make sense of the ravishing mayhem set before me.

Side bonus: Edward the Confessor, unlike most saints, did not achieve sainthood via martyrdom. We all know martyrdom makes for the best heroes but if you can manage sainthood without dying to do so?? Well shit, idk, seems like the ultimate life hack if you ask me.   

A life hack is exactly what this strong hallucinatory lineup provides on what is otherwise not considered a likely night for crazy good rock shows; it's Tuesday party time y'all!

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

Show Poster of the Week - 1919 Hemphill Benefit ft. Bare Mountain, Gay Cum Daddies, Cereboso, & Jinzo at Snail Shack by Prewitt Scott-Jackson

Once a week FWN features a show poster from the Fort.

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This week's featured poster promotes a 1919 Hemphill benefit show taking place Sunday, Jan. 8th at Snail Shack w/ musical goodness provided by Bare Mountain, Gay Cum Daddies, Cereboso, and Jinzo. The show starts at 8:30pm, event details posted here.

Llandon Broadhead created this wonderfully imaginative mixed media design using found objects, a first in our Show Poster of the Week series. And I think that's what I like most about this show poster; it completely goes against convention, much like 1919 Hemphill, the DIY space that stands to receive the proceeds from Sunday night's event.      

Until I reached out to Llandon I had zero inkling as to what I was looking at. I thought, hmm, a hollowed out milk dud with spider legs? But like, how would one go about hollowing out the center of a milk dud? 

"No matter the method," I thought aloud, "I totally dig this gnar gnar looking beetle creepily crawling across my computer screen."

So what are your thoughts for how this design was constructed? Think on it a bit because I'm gonna hit ya with a ...

**SPOILER ALERT**

Llandon cleverly crafted this show poster "...in about 3 minutes with a sticky note, toilet paper roll, and a broken wine bottle." 

Wow! That's legitimately gotta be one of the most well-done spontaneaous MacGyver poster designs ever produced in the history of show poster design. Bravo Llandon, bravo indeed.

As mentioned above, this show will benefit 1919 Hemphill, a sacred temple of a DIY safe space that has found itself recently under attack by Neo Nazi fuck sticks on 4Chan. For more about that, please read these articles from actual real-life journalists over at Fort Worth Weekly and Central Track.

In short, after the Oakland Ghost Ship warehouse fire, Nazi trolls on 4Chan produced a list of DIY safe spaces across the country propagating a directive for their Nazi friends to call upon authorities to inspect said safe spaces in their local area. Fort Worth authorities shortly thereafter received several complaints from this army of pathetic Pepe memes, forcing their hand to move on 1919.

What these low life shits didn't count on was the strong support of the Fort Worth and greater D/FW music and arts communities coming out in full force against them, swiftly raising over $10k to help 1919 get the property on Hemphill up to code.

Sunday's event at Snail Shack furthers this fundraising effort making this poster all the more important and the unanimous pick for Show Poster of the Week. 

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

Show Poster of the Week - Sudie, War Party, The Cush at Barcadia by Prewitt Scott-Jackson

Once a week FWN features a show poster from the Fort.

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This week we are delighted to feature Cody Soape's dreamcicle of a poster for a show taking place Monday Dec. 19th at Barcadia (Fort Worth location, duh!). The astral lineup of Sudie, War Party, and The Cush make this gig poster extra sidereal. 

The ice cream cone-shaped design cross-pollinates divinely with the stratified imagery of planet Earth's delicious layers. My eyes wish to devour their way down to the seaweed flavored bottom, but alas, my ravenous craving is counter-balanced by my desire to slowly take in every inch of strata as I move down its celestial ladder slide.

The Frank Stella/Peter Max-ish color palette drive it home for me. The colors man, the colors. My word. Artists like Cody Soape make our job easy.

Side bonus: below are some music viddyoze from the night's lineup - see you fellow Fort Worthians Monday. 

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”

Show Poster of The Week - Pinkish Black, Wire Nest, Programme at Lola's by Prewitt Scott-Jackson

Once a week FWN features a show poster from the Fort.

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This week we drum up attention to the above eerie poster for a show taking place at Lola's featuring a hell of a lineup in Pinkish Black, Wire Nest, and Programme. Jon Teague of Pinkish Black designed this beauty himself.

If you can manage, I'm gonna wax philosophical a bit about the infectious nature of this piercing design...

Human ears without context are strange-looking, right? Like, ears attached to a head; cool, I can dig it. But ears on their own? Strange-looking to say the least. If this poster design doesn't gain your attention I'm not sure what will. 

And that's the express purpose of gig posters, right? They want your eyes.

In this case, it took a pair and a half of ears to win over my eyes; I find myself unable to stop looking at these beautifully displaced ears.  

Anyways, this show right hear gonna be a killer time at Lola's. Hope I didn't muff this post, we still best buds?

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about the word writer person:

Prewitt Scott-Jackson writes Dad poetry & short fiction when he's not hyping and typing for Fort Worth Noise. His writing can be found in Ghost City Press (New York), Five 2 One Magazine (Los Angeles), Prairie Schooner (University of Nebraska Press) and Sick Lit Magazine (Texas), among others. He prefers short walks on the beach because – and I quote – “It’s really hard to walk on sand.”